SEMIOTIC WORK AND MULTIMODALITY IN AUDIOVISUAL PRODUCTION: CONSTRUCTING MEANINGS IN SCIENCE EDUCATION
DOI:
https://doi.org/10.37781/vidya.v45i1.5256Keywords:
Semiotic work; Multimodality; Teacher Formation; Science educatioAbstract
This study aims to identify the semiotic modes/resources used by a preservice teacher in a video communication, analyzing the meanings expressed in his semiotic work. The research is grounded in Social Semiotics theory and in the concept of orchestration of modes (Kress, 2010), articulated with the cartography method (Deleuze & Guattari, 1995; Kastrup, 2012), which guides the production and analysis of data through movements of tracing, touching, landing, and attentive recognition. The investigative field corresponds to the interdisciplinary course Natural Phenomena IV of a distance degree program in Science Education, in which students were challenged to design a video lesson explaining the phenomenon of homeostasis for a hypothetical Basic Education class. In this article, we selected the case of E1 for a detailed multimodal analysis. The results indicate that the articulation of speech, gestures, and clinical objects revealed relevant understandings about the phenomenon and the intentionalities involved in communicating scientific concepts within a formative context.
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